Kenneth Dagatan's Sanctissima horrifying effect is magnified by the production's attention to detail. Blood…
Adjani Arumpac's War is A Tender Thing (2003) is not only a process of reconnection, it is also one of understandi…
Kan Lumé is one of the most prolific of Singapore’s new generation filmmakers. Within a week in December 2014, his s…
Photo credit: Erwin Mascariñas I was tweny-four years old when I heard and learned in detail the story of Apu Mamalu …
Bagane Fiola's second film Sonata Maria (2014) is proudly Davao-made. Sonata Maria wears its identity as an inde…
This August my late mother visited me in my dreams for two straight nights. The dream and the image of her in that dr…
Riri Riza (in white shirt) is at the helm of the Makassar SEASCreen Academy. Over the past three years, renowned dire…
Yusuf Rajahmuda’s Halaman Belakang (The Backyard, 2013) has won accolades in Indonesia. For many decades, Indonesi…
One balmy October evening, as Singapore International Film Festival executive director Yuni Hadi, Indonesian film directo…
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